Saturday, September 19, 2015

Big City Forum: Talleres Publicos


Big City Forum: Talleres Publicos will bring together the creative forces of numerous participants across the fields of architecture, graphic and urban design, art, and social and community activism. Talleres Publicos will occupy the community center site at the Pacoima City Hall to engage the community of Pacoima and the Northeast San Fernando Valley through workshops, convenings, and hands-on making projects in order to produce various forms of creative material based on personal and collective actions that begin to redefine public engagement.

 
The launch for Talleres Publicos will take place on Saturday, Oct. 3rd and will include a hands-on workshop by the collective Confetti Confidential. This event will be open to the public from ages 5 to 95 to celebrate the vibrancy of Pacoima and the launch of this engaging project.

Saturday, October 3rd from 10am-1pm (Launch Party)
Open Collage with Confetti Confidential


The community is invited to come together and create freestyle collage in celebration of the launch of Talleros Publicos. Collage is a technique of composing a work of art by combining various materials not normally associated with one another on a single surface. It is an easy and fun form of expression available to anyone who is willing to try!

Confetti Confidential is Laura Bernstein, Lucy Cook, Ania Diakoff, Kate Johnston and Julie Moon. 


The complete schedule for Talleres Publicos:

Confetti Confidential  Oct. 3rd 
Confetti Confidential  Oct. 18th
Tanya Aguiniga Oct. 24th & 25th
Ana Llorente  Nov. 6th, 7th & 8th
Pop-up Shop - Eline Mul and grantLove - Nov. 14th
Confetti Confidential  Nov. 15th
Jenn Su  Nov. 21st & 22nd
Hazel Mandujano   Dec. 5th & 6th
Devon Tsuno  Dec. 12th &13th


"This project is supported by the Creative Economic Development Fund (CEDF)--a collaborative fund of the City of Los Angeles Department of Cultural Affairs and the Center for Cultural Innovation, made possible by the Surdna Foundation."
 

Tuesday, May 19, 2015

After Hours - Ruth Estevez & Wonne Ickx

Inline image 1

After Hours

Proximity. The nearness of one to another. A slight glance, a trace. A scent that changes the taste of a mouthful of wine from one moment to the next. In between and amongst friends. Eye contact. A demure smile and a slight blush. The point of tension where two lines intersect. Aware that N. is still looking at you, continue to listen intently to T. Bodies become thoughts, phoneme, fantasy. You reply, “yes.”

Big City Forum presents “After Hours” a series of monthly gatherings that merge the art, design, and architecture communities of Los Angeles. After Hours invites exceptional individuals to engage in intimate conversations with a select audience. Curators, architects, designers, collectors, musicians, filmmakers share and reflect on their passions, what they've learned through experience, and their development of agency and hope. “After Hours” is a casual discursive ambiance to explore a better understanding of art and life.

The inaugural convening of “After Hours” will take place at INHAUS in Altadena on Saturday May 30th, 2015.

Organized in collaboration with some times, “After Hours” will feature REDCAT curator Ruth Estevez in conversation with architect Wonne Ickx, and a performative meditation on collaboration by Joey Cannizzaro. Supper, wine, and libations will be served.

“After Hours” continues Big City Forum’s interjections into the Los Angeles creative community to promote creative interdisciplinary dialog as a means of motion and change.

for tickets to event:

http://www.eventbrite.com/e/after-hours-ruth-estevez-wonne-ickx-tickets-16965381914

Saturday, May 30th, 9:00 pm

INHAUS
2496 St. Pierre Ave.
Altadena, CA 91001

Wonne Ickx (Antwerp, 1974) studied civil engineering and architecture at the University of Ghent, Belgium and the ETSAM in Madrid, and Urban Studies at the Centre for Metropolitan Studies (CEMET) in Guadalajara, Mexico. In 2006 he founded his own studio PRODUCTORA in Mexico City, together with Abel Perles, Carlos Bedoya and Victor Jaime. PRODUCTORA has received numerous national and international prizes and recognitions. Recently they were selected as ‘emerging voice 2013’ by the Architectural League of New York and in 2014 the Spanish editorial 2G will publish the second monograph on their work.

Wonne Ickx has been teaching architecture and urbanism at the Universidad Iberoamericana, Universidad La Salle and Centro de Diseño in Mexico City. He has lectured worldwide about his work. He is founding director of LIGA, Space for Architecture, Mexico City, an independent exhibition platform that since 2011 promotes young architects from Latin American. He is also part of the editorial board of Arquine since 2010.

Ruth Estévez is the gallery director and curator at Roy and Edna Disney/CalArts Theater (REDCAT) in Downtown Los Angeles. Bilbao-born Ruth Estévez was previously at Museum of Contemporary Art Carrillo Gil in Mexico City; while in Mexico she co-founded the nonprofit LIGA, Space for Architecture. At REDCAT, she’s worked with artists including Pablo Bronstein, Javier Tellez and Allora & Calzadilla. Among upcoming projects are Hotel Theory, a group show looking at the performance of theory, and, in collaboration with The Getty Institute, a re-staging of a performance piece by the late Argentinian artist León Ferrari, who deployed sculpture and poetry as “revolutionary weapons” against war, political authority and religion.

Joey Cannizzaro is an undisciplinary artist. Cannizzaro, along with Danielle Bustillo, co-founded The Best Friends Learning Gang – an experiment in disorderly, amateur education – and is also a member of neverhitsend, a collective that performatively researches communications ideology, surveillance, and privacy. Cannizzaro's work has been shown at 356 Mission, Machine Project, Centre Pompidou, Flux Factory, REDCAT, ForYourArt, some times, and a lot of other places. Cannizzaro holds an MFA from California Institute of the Arts, is a Distinguished Professor Emeritus at Los Angeles College, and is currently a bartender at REDCAT.

some times is a neon sign that can be plugged in anywhere. It is also a performance, a platform for collaboration, and sometimes, a bar. some times opened in 2014 as a response to artists’ needs at the California Institute of the Arts; it has since relocated to the kitchen of an internet company office in downtown LA and occupied the office of ltd los angeles. some times is owned and operated by artist Meghan Gordon.

INHAUS is the Altadena home & garden residence of Angel Chen and Dermot Begley and serves as location for site-specific arts programming. It hosts dinners, conversations, ceremonies, and workshops.

“In an organic symbiotic relationship, INHAUS pairs with organizations that are by nature nomadic to bring their content to our space. We fill a need by giving a place to conversations that can fully flower in an intentional environment that is both inviting and safe. The space is warm, welcoming, nurturing, comforting, open to all dialogue and points of view. Being an attendee at institutional lectures around the city, we have discovered a need for a salon-style place that opens deeper conversations in a relaxed environment conducive to community building and enabling diverse artistic practice. We act as a home base to foster community through sharing resources, equipment, library, and a philosophy of refocusing our definition of home and work in an outdoor-centered lifestyle.”

Big City Forum (BCF) founded by Los Angeles-based artist, educator, and activist Leonardo Bravo, is an independent, interdisciplinary project that explores the intersection between design-based creative disciplines within the context of public space, the built environment, and social change.

BIG CITY FORUM IS A PROJECT OF THE PASADENA ARTS COUNCIL’S "EMERGE" FISCAL SPONSORSHIP PROGRAM.

Sunday, March 1, 2015

Big City Forum: Jen De Los Reyes & Sarah Williams



Big City Forum
Media Design Practices (MDP) Residency
in the Wind Tunnel

MDP Design Dialogues: Territories and Storylines
Curated by Leonardo Bravo

Big City Forum Wind Tunnel Residency will feature visual makers, thinkers, and activists who are creating new storylines, exploring un-chartered territories, and reshaping their practice.

Thursday, March 5, 2015, 4pm

Jen De Los Reyes
http://www.jendelosreyes.com/about/

Sarah Williams
http://womenscenterforcreativework.com/about-2/

In this presentation we will explore practices around sustainable artist-led culture that focus on place, engagement, and dialogue.

Big City Forum advocates direct engagement, appearing in person, speaking truth, taking risks–no matter how large or small. Past, present, future. It’s the doing that matters.

The Wind Tunnel
Art Center College of Design
South Campus
950 S. Raymond Avenue
Pasadena, CA 91105

Big City Forum (BCF) founded by Los Angeles-based artist, educator, and activist Leonardo Bravo, is an independent, interdisciplinary project that explores the intersection between design-based creative disciplines within the context of public space, the built environment, and social change.



Wednesday, February 18, 2015

Big City Forum: Fiamma Montezemolo & Rene Peralta

Big City Forum
Media Design Practices (MDP) Residency
in the Wind Tunnel

MDP Design Dialogues: Territories and Storylines
Curated by Leonardo Bravo

Big City Forum Wind Tunnel Residency will feature visual makers, thinkers, and activists who are creating new storylines, exploring un-chartered territories, and reshaping their practice.

Thursday, February 19, 2015, 4pm

Fiamma Montezemolo
http://www.fiammamontezemolo.com/#the-3-ecologies

Rene Peralta
http://architecture.woodbury.edu/member/rene-peralta/

In this presentation Fiamma Montezemolo and Rene' Peralta re-visit a multiplicity of border practices through the lens of de Andrade classic Cannibal Manifesto. For more than10 years Tijuana has been the object of both their individual and collective inquiries, and overlapping, in particular, around its amazing and unstoppable capacity to cannibalize its Others and pretenders.

Big City Forum advocates direct engagement, appearing in person, speaking truth, taking risks–no matter how large or small. Past, present, future. It’s the doing that matters.

The Wind Tunnel
Art Center College of Design
South Campus
950 S. Raymond Avenue
Pasadena, CA 91105


Big City Forum (BCF) founded by Los Angeles-based artist, educator, and activist Leonardo Bravo, is an independent, interdisciplinary project that explores the intersection between design-based creative disciplines within the context of public space, the built environment, and social change.


Thursday, February 12, 2015

Big City Forum: Jose Sanchez & Jason Kelly Johnson

 
Hydraspan Bridge Colonies - Future Cities Lab, 2013

Big City Forum Wind Tunnel Residency

Design Dialogues:
Territories and Storylines
Curated by Leonardo Bravo

Thursday, February 12, 2015, 4pm

Jose Sanchez
Director - Plethora Project
http://www.plethora-project.com/

Jason Kelly Johnson
Co-Founder and Design Partner - Future Cities Lab
http://www.future-cities-lab.net/about/


Big City Forum Wind Tunnel Residency at the Media Design Practices program will feature visual makers, thinkers, and activists who are creating new storylines, exploring un-chartered territories, and reshaping their practice.

Big City Forum advocates direct engagement, appearing in person, speaking truth, taking risks–no matter how large or small. Past, present, future. It’s the doing that matters.

The Wind Tunnel
Art Center College of Design

Media Design Practices
South Campus
950 S. Raymond Avenue
Pasadena, CA 91105

Big City Forum (BCF) founded by Los Angeles-based artist, educator, and activist Leonardo Bravo, is an independent, interdisciplinary project that explores the intersection between design-based creative disciplines within the context of public space, the built environment, and social change.


Tuesday, October 28, 2014

Big City Forum presents Attunement


ATTUNEMENT

Opens November 1, 2014
Panel Discussion 4–6PM
Reception 6–8PM

Attunement pays tribute to artists who function on multiple frequencies. They flow through worlds, above boundaries, under surfaces, around obstacles, and inhabit the spaces in-between. We define their work as exceptionally rich, layered, complex, and in some ways “off the charts.” They communicate on multiple channels. In order to appreciate the messages fully, we must “tune in” to the ranges of expression that continue infinitesimally through space and time. We bring together an expansive show of paintings, photos, prints, text pieces, and video that are prone to resonate beyond ranges of audio and visual perception.


Co-Produced by Leonardo Bravo, River Jukes-Hudson, and David Shorter.

Leonardo Bravo is an artist, curator, educator, and the founder of Big City Forum, an interdisciplinary project highlighting creative practices across architecture, design, and contemporary art. BCF produces events in partnership with institutions such as the Skirball Cultural Center, Armory Center for the Arts, Otis Art Institute, Santa Monica Museum of Art, and LAX ART. Bravo is also Director of School Programs of the Music Center of Los Angeles, where he oversees the implementation of strategic arts education partnerships with districts and schools across Los Angeles County.

River Jukes-Hudson is an independent graphic designer who collaborates regularly with artists, curators, architects, writers, and other designers. She currently teaches Typography at Art Center College of Design. River co-directs Big City Forum with partner Leonardo Bravo.

David Shorter is a professor, filmmaker, curator, and consultant living and dying in LA. His areas of interest loosely overlap around ways of knowing through indigenous wisdom systems, the esoterica, and occult sciences. Dr. Shorter is currently Professor and Vice Chair in the Department of World Arts and Cultures/Dance at the University of California Los Angeles.

Thursday, September 18, 2014

Big City Forum: Creative Action #4


Eve Fowler, Billboard from it is so, is it so, 2014. The Manifest Destiny Billboard Project: A LAND (Los Angeles Nomadic Division) Exhibition
Big City Forum in conjunction with Otis' Creative Action program presents:

Location, Location, Location: The Decentralization of Art Activity
featuring:
Shamim M. Momin
Aurora Tang
Asuka Hisa

Tuesday, Sept. 23rd
7:30 pm
Otis Auditorium

Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

Join Shamim M. Momin, Director/Curator/Founder of LAND (Los Angeles Nomadic Division) and Aurora Tang, Managing Director, High Desert Test Sites; Program Manager, The Center for Land Use Interpretation in an open conversation moderated by Asuka Hisa, Director of Education and Public Programs, Santa Monica Museum of Art. This program is part of Big City Forum's series produced in conjunction with the Otis Art Institute's Creative Action program.

Sunday, July 6, 2014





We don’t generalize about a 470 square mile city with 130 zip codes. Los Angeles is a world in and of itself. A situation this diverse is comprised of contradiction so we don’t seek to simplify. We extend an invitation.

Greet your neighbor. Share a meal. Start a conversation. Do what you can. For the past five years, Big City Forum has been committed to actions such as these–initiating collective conversations, open to anyone who appreciates getting in a room together.


Human interaction is on the brink of extinction! Big City Forum advocates direct engagement, appearing in person, speaking truth, taking risks–no matter how large or small. Past, present, future. It’s the doing that matters.


“A tree–the slow explosion of a seed.”
—Bruno Munari

Genuine gestures are apparent, they resonate, word gets out, they gain momentum, movements take hold. But the initial motion has to happen. Our devotion is to the seed, the spark and to the risk.

Wednesday, April 16, 2014

Big City Forum: Creative Action #3




 
Cesar Garcia – Director and Chief Curator, The Mistake Room
Glenn Kaino – contemporary artist
Kris Kuramitsu – Deputy Director and Senior Curator, The Mistake Room

Tuesday, April 22, 2014

7 – 8:30 pm
The Auditorium, Otis Main Campus


In conjunction with Otis’ Creative Action program, Big City Forum presents a series of four discussions featuring individuals who reinvent social space and redefine how we engage with each other. 


The third panel scheduled for Tuesday, April 22nd highlights the story behind The Mistake Room, LA’s new independent non-profit cultural institution devoted to an international program of contemporary art and thought. Founder, lead curator, and artist will discuss their collaborative process and the motivations behind developing this experimental site for creative engagement

Cesar Garcia is the Founding Director and Chief Curator of The Mistake Room, Los Angeles, CA. A curator, writer and educator, Garcia formerly served as the Associate Director and Senior Curator of LA> Made in L.A. 2012--the first Los Angeles Biennial organized by the Hammer Museum and LA>

Glenn Kaino (b. 1972, Los Angeles) received his BFA from the University of California, Irvine, in 1993 and his MFA from the University of California, San Diego, in 1996. His work has been the subject of numerous solo exhibitions, including “Glenn Kaino:19.83,” at the Studio Museum in Harlem, New York.

Kris Kuramitsu is the Deputy Director and Senior Curator of The Mistake Room, Los Angeles and the Associate Director for Artis in Los Angeles. She has served as the Director of Special Projects at LA>Pacific Standard Time Performance and Public Art Festival at venues across Los Angeles County and Made in LA at the Los Angeles Municipal Art Gallery at Barnsdall Park. 


BCF asks artists, writers, architects, designers, musicians, and curators to reflect on how they currently live, what they've learned through experience, and what they'd like to pass along to others. Through dialog we seek to identify the connections that run through our creative processes and daily lives. We intend to tell the story of Los Angeles through the words and work of its most inventive participants.

Glenn Kaino (b. 1972) lives and works in Los Angeles. His upcoming and recent solo exhibitions include Glenn Kaino, Kavi Gupta Chicago | Berlin (2014); Tank, Prospect3, New Orleans, (2014); Tank, Grand Arts, Kansas City, (2015); Bring Me The Hands of Piri Reis, Honor Fraser, Los Angeles (2012); In Every Grain, U.S. Pavilion, 13th International Cairo Biennale, Cairo, Egypt (2012-); The Space Between, A.Bandit, The Kitchen, New York (2011); Glenn Kaino: Safe | Vanish, LA>

Glenn Kaino (b. 1972) lives and works in Los Angeles. His upcoming and recent solo exhibitions include Glenn Kaino, Kavi Gupta Chicago | Berlin (2014); Tank, Prospect3, New Orleans, (2014); Tank, Grand Arts, Kansas City, (2015); Bring Me The Hands of Piri Reis, Honor Fraser, Los Angeles (2012); In Every Grain, U.S. Pavilion, 13th International Cairo Biennale, Cairo, Egypt (2012-); The Space Between, A.Bandit, The Kitchen, New York (2011); Glenn Kaino: Safe | Vanish, LA>


Kris Kuramitsu is the Deputy Director and Senior Curator of The Mistake Room, Los Angeles and the Associate Director for Artis in Los Angeles. She has served as the Director of Special Projects at LA>Pacific Standard Time Performance and Public Art Festival
at venues across Los Angeles County and Made in LA at the Los Angeles Municipal Art Gallery at Barnsdall Park; Programs Director for Creative Link for the Arts, New York; the Curator for the Collections of Eileen and Peter Norton, and for the Collection of Eileen Harris Norton; and as the Arts Programs Director for the Peter Norton Family Foundation. In addition, she has consulted for non-profit arts organizations and foundations such as United States Artists and the California Community Foundation. As an independent curator, she organized the exhibitions Home Away at the Armory Center for the Arts; John Outterbridge: Rag Factory at LA>Drawing the Line: Japanese American Art, Design & Activism in Post-War Los Angeles at the Japanese American National Museum, Los Angeles; the ARCO Madrid Art Fair; Invisible Cities at Instituto Cervantes, Madrid; and Et in Arcadio Ego at Estacion Tijuana, among others. Currently, Kuramitsu is organizing an exhibition of paintings and works on paper by Mike Kanemitsu that will open at The Mistake Room in September 2014. She holds a B.A. in Art History from Pomona College and an M.A. in Art History from UCLA. 


Tuesday, April 8, 2014

Big City Forum: Creative Action #2

Big City Forum: Creative Action #2  
Tuesday, April 15, 2014  
7 – 8:30 pm
The Auditorium, Otis Art Institute Main Campus


Featuring: 
Yuval Sharon – Artistic Director, The Industry
Danielle Agami – Artistic Director, Ate9 Dance Company
Victoria Looseleaf – arts journalist at LA Times, contributing reporter at KUSC


In conjunction with Otis’ Creative Action program, Big City Forum presents a series of four discussions featuring individuals who reinvent social space and redefine how we engage with each other. The second panel scheduled for Tuesday, April 15th addresses the collaborative process between an opera director and a dance choreographer/director in relation to their recent trans-disciplinary staging of Italo Calvino’s “Invisible Cities” at LA’s Union Station and the performance installation Terry Riley: In C at the Hammer Museum.


Danielle Agami
Originally born in Israel in 1984, Agami studied at the Jerusalem Academy of Music and Dance High School and was a member of the Batsheva Dance Company from 2002-2010. Between 2007-2009, Agami served as the artistic director of Batsheva Dancers Create and functioned as the company's rehearsal director from 2008-2010, during which she received the Yair Shapira Prize for Excellence in Dance in 2009.  In 2011 Agami relocated to New York City, where she functioned as Senior Manager of Gaga U.S.A. Since arriving in the U.S., Agami met and taught thousands of dancers. During 2011 she created original work at Rutgers University (NJ), Boston Conservatory (MA), Springboard Montreal, Cornish College for the Arts (WA) and more. In 2012 After relocating to Seattle, Agami founded Ate9 dANCEcOMPANY, as her first longitudinal project and created both Sally meets Stu and Sheila for Ate9. In 2013, she presented TacTics for Ate9, Shula in Israel,  for the Batsheva Ensemble, This Time Tomorrow for NorthWest Dance Project in Portland OR, Loose Gravel  for Barak Ballet in L.A, and a unique collaboration with L.A Dance Project for Invisible Cities by The Industry Opera.

Victoria Looseleaf
Victoria Looseleaf is an award winning arts journalist and regular contributor to the Los Angeles Times, Dance Magazine, Performances Magazine and KUSC-FM radio. She also contributes to the New York Times and writes the program notes and broadcast scripts for the Los Angeles Philharmonic at the Hollywood Bowl. In addition, she teaches Dance History at USC and does pre-concert talks at venues including the Los Angeles Music Center. She was the producer/host of the cable TV show on the arts, "The Looseleaf Report," which ran for 22 years in Los Angeles and New York, and now maintains a blog of the same name. One of her passions is covering international music and dance festivals, where her travels have taken her to places that include Abu Dhabi, Buenos Aires, Aix-en-Provence and Zakopane, Poland. Looseleaf has a bachelor’s degree from UC Berkeley and a Master’s in the Performance and Literature of the Harp from Mills College. She has also released two albums, Harpnosis and Beyond Harpnosis, both registered trademarks. 

Yuval Sharon
Director and Producer Yuval Sharon, named a "Face to Watch in 2012" by the Los Angeles Times, has been creating an unconventional body of work that explores the boundaries of music, visual art, and concert theater. His productions have been described as "dizzyingly spectacular" (New York Magazine), "magical" (The Village Voice), "ingenious" (San Francisco Chronicle) and “staggering” (Opera News). Yuval directed a landmark production of John Cage’s Song Books at the San Francisco Symphony and Carnegie Hall with Joan La Barbara, Meredith Monk, and Jessye Norman. He also founded and serves as Artistic Director of The Industry, an experimental opera company in Los Angeles, where his inaugural production of Anne LeBaron's hyperopera Crescent City was hailed by the Los Angeles Times as "groundbreaking" and "reshaping LA opera." Yuval was Project Director for four years of New York City Opera’s VOX, an annual workshop of new American opera, which became the most important crucible for new opera in the country under his direction. He has also worked with international houses like the San Francisco Opera, the Mariinsky Theater, the Bregenzer Festspiele in Austria, and the Komische Oper Berlin, as well as experimental venues like Le Poisson Rouge, Berkeley Opera, and the Deitch Projects.

******
BCF asks artists, writers, architects, designers, musicians, and curators to reflect on how they currently live, what they've learned through experience, and what they'd like to pass along to others. Through dialog we seek to identify the connections that run through our creative processes and daily lives. We intend to tell the story of Los Angeles through the words and work of its most inventive participants. 

Saturday, February 15, 2014

Big City Forum: Creative Action

Big City Forum: Creative Action
Thursday, Feb. 20, 2014
7 – 8:30 pm
The Auditorium, Otis Main Campus

from A Trip to Japan in Sixteen Minutes at The Hammer Museum
Allison Agsten – Curator, Public Engagement, The Hammer Museum
Saskia Wilson-Brown – Founder/Director, The Institute for Art and Olfaction
Yasmine Mohseni – arts correspondent, writer, curator

In conjunction with Otis’ Creative Action program, Big City Forum presents a series of four discussions featuring individuals who reinvent social space and redefine how we engage with each other. The first panel scheduled for Thursday, February 20th addresses the collaborative process between a trans-disciplinary curator, an olfaction artist, and a contemporary arts writer.

Allison Agsten is Curator of Public Engagement at the Hammer Museum. In her role, she collaborates with artists and staff to develop a new paradigm for the museum experience. Recent projects include the installation of a lending library and used bookstore into the Hammer's lobby gallery as well an examination of security guard labor that culminated in new, artist-conceived uniforms. Formerly, Agsten was Director of Communications at the Los Angeles County Museum of Art where she spearheaded a number of projects related to accessibility including a first-of-its kind program to make rare LACMA publications available for free online and a curated online photo contest that garnered more than a thousand entries from across the globe. A leader in social media, Agsten also initiated the institution's groundbreaking bilingual Twitter feed. Prior to joining to LACMA, Agsten was a producer in CNN's Los Angeles bureau where she regularly covered the arts.

Saskia Wilson-Brown - French by upbringing, Cuban and English by blood and American by birth, Saskia received her BA in Fine Art from UC Berkeley and her MA in Fine Art from Central Saint Martins. A producer and curator for visual art and film, she co-directed the seminal and sadly defunct Silver Lake Film Festival, ran international outreach and development for the seminal and sadly defunct Current TV, and launched the seminal and sadly defunct Cinema Speakeasy. In 2012 she started The Institute for Art and Olfaction, a non-profit arts organization devoted to experimentation and education in perfumery. So far, it is neither seminal nor sadly defunct. Fingers crossed!

Yasmine Mohseni is a writer, editor and independent arts curator. Her articles have been featured in international publications such as Artinfo, The Art Newspaper, Beautiful/Decay, BlackBook, the Dubai-based arts publication Canvas, The Huffington Post, Modern Painters, Newsweek, and Whitewall. As Artinfo’s Los Angeles Correspondent, she provided extensive coverage of the city’s dynamic and diverse artistic community.  These include interviews with the Hammer Museum’s Ann Philbin, art dealers Maggie Kayne and Bill Griffin, and artists Barbara Kruger and Catherine Opie.  She has curated numerous art exhibitions, art events and educational programs in LA, including collaborations with Christie’s, Vanity Fair, and artist Shepard Fairey. Through her exhibitions and articles, Yasmine seeks to provide her audience with a thoughtful and accessible approach to contemporary art.

* * *

BCF asks artists, writers, architects, designers, musicians, and curators to reflect on how they currently live, what they've learned through experience, and what they'd like to pass along to others. Through dialog we seek to identify the connections that run through our creative processes and daily lives. We intend to tell the story of Los Angeles through the words and work of its most inventive participants.

Thursday, January 16, 2014

Big City Forum: Global City at the Skirball Center


National Art Museum of China, competition rendering. Image courtesy of Safdie Architects.
Big City Forum - Global City
 
Adrianna Cuellar
&Marcel Sanchez-Prieto 
Analia Saban
Peter Zellner



Saturday, Feb. 8th
2 - 4 pm

In conjunction with the exhibition Global Citizen: The Architecture of Moshe Safdie, Big City Forum presents an interdisciplinary event that examines the ways in which we view, interact with. and respond to public space. 


After a weekend of research on the Skirball campus, a team of local artists, designers, and architects will present their reflections and responses to Moshe Safdie’s work and how it relates to current issues within urban, social, and political contexts. Participants include contemporary artist Analia Saban, Cro Studio’s Marcel Sanchez-Prieto and Adriana Cuellar, and AECOM Principal and Studio Design Lead Peter Zellner.

“Global City” is produced by Big City Forum.  The presentation will be facilitated by artist, curator, and founder of Big City Forum, Leonardo Bravo.
For reservations: http://www.skirball.org/programs/expert-insight/global-city

Adriana Cuéllar received her Bachelor of Architecture from Cal Poly San Luis Obispo and a Master on Design Studies from Harvard University Graduate School of Design where she received the Annual Award for Excellence in Housing Design. She is a recipient of the 2006-2007 Katherine Edwards Gordon Rome Prize in Design by the American Academy in Rome where she expanded her interest and research on experimental cartographies that capture the erosion of everyday urban landscape. Currently she is an Adjunct Professor at the University of San Diego and at The New School of Architecture and Design where she teaches at graduate level and co-directs the Rome study abroad program. For several years Adriana worked for estudio Teddy Cruz on the design of housing projects and on the investigation of the cultural/spatial relations at the border region of Tijuana-San Diego. She has also worked for Rafael Viñoly Architects in New York on large-scale cultural and residential projects.
 

Marcel Sanchez received his Bachelor of Architecture from Iberoamerican University in México and a Master in Architecture from University of California, Los Angeles, where he was awarded the Director’s scholarship award. Currently he is a full time assistant professor at Woodbury University San Diego where his research has been the development of design methodologies that expand on geometry as tool for urban sensing and architectural innovation. He has been critic, invited lecturer and taught at University of Pennsylvania, Philadelphia University, RMIT, South Eastern University in China, Iberoamerican University and The New School of Architecture and Design, where he co-directed the Rome study abroad program. For several years he participated in a wide-range of urban studies along the México-US border with San Diego State University, University of California San Diego, Colef-College of the Northern Border, the Municipal Planning Institute of Tijuana and the San Diego Association of Governments; with the intention to comprehend and explore the morphological and social implications of this region. He has worked for Kieran Timberlake and Frank Gehry in technology driven projects, researching on methodologies of digital design, fabrication and material assembly. 

Analia Saban, born in Buenos Aires, Argentina, is an artist currently working in Los Angeles and living in New York City. Blurring the lines between painting and sculpture, her works often include plays on art historical references and traditions. Paintings can become sculptural forms and sculptures are presented on stretched canvas, all while using the process of trial and error with new techniques and technology. Saban has participated in the Hammer Museum's "Made in LA" exhibition in 2012, and most notably the recipient of the Norton Museum’s annual "Rudin Prize,” a juried exhibition for emerging photographers. Saban has had solo exhibitions at Tanya Bonakdar Gallery in New York, Thomas Solomon Gallery in LA, Praz-Delavallade in Paris and Sprueth Magers in Berlin, amongst others.  The artist is in the collections of the Hessel Museum of Art at Bard College, NY; Norton Museum of Art, West Palm Beach, FL; Los Angeles County Museum of Art, Museum of Contemporary Art, and the Hammer Museum at UCLA in Los Angeles, CA.  

Peter Zellner is Principal, Studio Design Lead, Los Angeles at AECOM and professor at the Southern California Institute of Architecture (SCI-Arc).  He was also the founding principal of ZELLNERPLUS, an award winning architectural design, planning and research firm located in Venice, California. ZELLNERPLUS has designed public and private art galleries, residences, institutional facilities and corporate spaces in Los Angeles, San Francisco and New York. He has been recognized as an emerging architectural voice in national publications such as The Los Angeles Times and The New York Times. Art+Auction magazine included Zellner in its annual "Power 100" selection of influential people in the art world. Zellner was also named by the Los Angeles Times one of "10 Faces to Watch in 2012 in Dance, Theater, Architecture and Art," while Harper's Bazaar included him in its Editor's Selection "Best of What's New - Designers to Watch." 

Zellner holds a Master in Architecture from Harvard (1999). At the Harvard Graduate School of Design he was a participant in the Harvard Project on the City led by Rem Koolhaas. He received a Bachelor of Architecture with First Class Honors from the Royal Melbourne Institute of Technology (1993) in Australia, where he also taught between 1994 and 1997.  Zellner is the author of numerous essays and books including Hybrid Space (Thames & Hudson, 2000) and Pacific Edge (Thames & Hudson, 1998). He has curated exhibitions such as Sign as Surface (Artists Space, 2003) and Whatever Happened to Los Angeles (SCI-Arc, 2005). 

Zellner has held Visiting Professorships in Architecture at UC Berkeley, FIU, the University of Southern California, the Ecole Speciale d'Architecture in Paris and the Institut fur Stadtebau und Raumplanung (Institute for Urban Design & Urban Planning) at the University of Innsbruck, Austria. In 2012, Zellner completed his first free standing project, the Matthew Marks Los Angeles Gallery. Los Angeles Times architecture critic Christopher Hawthorne described the project as "...one of the most conspicuous architectural debuts to appear in Southern California in a number of years." The project recently won an AIA|LA Design Award (Merit).

About Big City Forum

Big City Forum (BCF), founded in 2008 by Los Angeles-based artist, educator, and activist Leonardo Bravo and co-directed with artist/graphic designer River Jukes-Hudson since 2013, is an independent, interdisciplinary project that explores the intersection between design-based creative disciplines within the context of public space, the built environment, and social change.

Friday, September 27, 2013

Big City Forum: Shifting Space, Shifting Place

 
Steve Roden
Big City Forum @ Armory Center for the Arts
Shifting Space, Shifting Place
Anna Neimark/ Steve Roden/ Flora Wiegmann
145 N Raymond Ave, Pasadena, CA 91103
Wednesday, October 2nd
7 – 9 pm


Big City Forum presents the final panel at the Armory Center in 2013. This will be a true, cross disciplinary conversation about the concept and poetics of Space. We anticipate a rich dialog with members of the BCF creative community presenting an individual body of work, a reading, a screening, or a movement that has helped shape their ideas and vision about Space, either at a personal/psychological level or related to ideas around social change, engagement and public space. The event will feature an architect, artist/musician, and dancer/choreographer.

Featuring:
ANNA NEIMARK: Anna Neimark is co-founder of First Office, a design studio that focuses on form through a critical engagement with the conventions of architectural drawing. Recent publications include an article, “The Infrastructural Monument, Soviet Works under Construction and in Representation” in Future Anterior, as well as a series of essays co-authored with Andrew Atwood: “Zoopol, A Monument to the Animal Kingdom” in Project, “How to Domesticate a Mountain” forthcoming in Perspecta, and “Abstraction Returns” in Think-Space. Anna is full-time faculty at SCI-Arc. She received a BA in Architecture from Princeton and an M.Arch from the GSD.

STEVE RODEN: Steve Roden received his BFA from Otis/Parsons in Los Angeles, CA and his MFA from the Art Center College of Design in Pasadena, CA. He has been the subject of solo exhibitions at Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA; the Armory Center for the Arts, Pasadena, CA; the Pomona College Museum of Art, Claremont, CA; the Chinati Foundation, Marfa, Texas; the San Francisco Art Institute, San Francisco, CA; the Fresno Metropolitan Museum of Art and Science, Fresno, California; the Henry Art Museum, Seattle, WA; the Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, and Le Bon Acceuil, Rennes, France.

Roden has been included in group exhibitions at the Menil Collection, Houston, TX; Berkeley Art Museum, Berkeley, CA; Mercosur Biennial Porto Alegre, Porto Alegre, Brazil; Centre George Pompidou Paris, France; San Diego Museum of Contemporary Art, San Diego, CA; UCLA Hammer Museum Los Angeles, Los Angeles, CA; the Sculpture Center, New York, NY; the National Museum of Contemporary Art, Athens, Greece; the Contemporary Arts Museum, Houston, TX; Run Run Shaw New Media Center, Hong Kong, China, and the Kitchen, New York, NY.

FLORA WIEGMANN: Flora Wiegmann is a Los Angeles-based dancer and choreographer. Usurping the tactics of visual artists, she attempts to broaden the platform for dance by making works on film, site-specific dances, endurance pieces, and by collaborating with artists such as Fritz Haeg, Drew Heitzler, Silke Otto-Knapp, Alix Lambert, Margo Victor, and Andrea Zittel. Creating both live and filmed performance works, her recent projects have been presented nationally and internationally. Her work has been shown at ICA, Philadelphia; Whitney Museum of American Art, New York; California Biennial, Orange County Museum of Art, Newport Beach; LACMA, Los Angeles; Los Angeles Contemporary Exhibitions; The Kitchen, New York; Highways Performance Space, Santa Monica; Art2102, Los Angeles; Art Basel; and Cneai, Chatou.
Moderator:
WILL WRIGHT: AIA Los Angeles. Will is the Director of Government and Public Affairs for the Los Angeles chapter of the American Institute of Architects (AIA|LA) and a 2011 AIA|LA Presidential Honoree. As the chief design advocate for Los Angeles, he has more than a decade of experience lobbying for a healthier and more beautiful city. At AIA|LA he is responsible for a variety of roles including connecting architects and designers with civic leaders to help shape public policy. In 2013, Will became a founding board member of the non-profit From Lot To Spot, which helps underserved communities transform vacant lots into parks. Will is also serves on the boards of the BOMA-LA PAC and the Los Angeles County Business Federation (BizFed) as a Vice Chair of the Land Use & Development Committee. Past leadership includes serving as a member of the statewide Climate Plan Strategic Planning Steering Committee. As a graduate from the Art Center College of Design, Will won an AIGA 365 award as the Editor of the literary arts publication, FishWrap
V. 5.

Friday, August 23, 2013

Big City Forum: Architecture/Complexity/Generosity

Iwan Baan from No More Play
Big City Forum @ Armory Center for the Arts
Architecture/Complexity/Generosity
Wednesday, September 4
7 – 9 pm

Big City Forum returns to the Armory with another panel in the series Transforming the Social, which explores current architectural approaches in Los Angeles that address community based issues. What are the challenges and possibilities of contemporary Los Angeles as the practice of architecture takes into account and responds to community-based needs? How does architecture align itself to everyday social practices and diverse, multidisciplinary, and sometimes counterintuitive expressions in order to re-imagine the daily life of the city in more complex and generous understandings?

Featuring:
Michael Maltzan, FAIA, founder and principal of Michael Maltzan Architecture. Michael’s work fully engages our contemporary world through an architecture that is a catalyst for new experiences and an agent for change. Through a deep belief in architecture’s role in our cities and landscapes, he has succeeded in creating new cultural and social connections across a range of scales and programs. Michael received a Master of Architecture degree with a Letter of Distinction from Harvard University’s Graduate School of Design. He holds both a Bachelor of Fine Arts and a Bachelor of Architecture from Rhode Island School of Design, where he received the Henry Adams AIA Scholastic Gold Medal. He is a Fellow of the American Institute of Architects and a GSA Design Excellence Program Peer. He lectures internationally and often serves as a design instructor, lecturer, and critic at prestigious architectural schools including Princeton University, Rice University, Harvard University, Rhode Island School of Design, University of California, Los Angeles, University of California, Berkeley, University of Southern California, University of Waterloo, and the Southern California Institute of Architecture.

Theresa Hwang, community-driven designer working in Los Angeles, CA. Currently Theresa works with the Skid Row Housing Trust, a non-profit permanent supportive housing organization where she was the Enterprise Rose Architectural Fellow from 2009-2012. With the Trust, she is designing and developing high quality and sustainable housing with and for the very low-income homeless community. Theresa is adjunct faculty at Woodbury University and works with its Architecture+Civic Engagement (ACE) Center. Activist-turned-architect, Theresa has spent over 10 years doing community-organizing work for equitable cultural development and community empowerment with multiple groups and campaigns in Boston, New York, and Los Angeles. She received her Master of Architecture from Harvard Graduate School of Design and a Bachelor of Science in Civil Engineering and Art History from the Johns Hopkins University.

Peter Zellner, Principal and Founder, ZELLNERPLUS Associate AIA / RAIA Affiliate. Peter is the founder of award winning Venice based firm ZELLNERPLUS, which he established in 2004. Peter has been recognized as an emerging voice in national publications such as The Los Angeles Times, which named him one of “10 Faces to Watch in 2012”; Art+Auction, which included him in its annual "Power 100" selection of influential people in the art world; Harper's Bazaar, which included him in its Editor's Selection "Best of What's New—Designers to Watch"; as well as The New York Times and numerous other publications. Since 1999 Peter has been a faculty member at the Southern California Institute of Architecture, where he coordinates the Future Initiatives urban design program. He has held Visiting Professorships at UC Berkeley, FIU, the University of Southern California, the Ecole Speciale d'Architecture in Paris and the Institut für Städtebau und Raumplanung (Institute for Urban Design & Urban Planning) at the University of Innsbruck, Austria. In 2013 he held the Ivan Smith Eminent Chair at the University of Florida, School of Architecture.


Moderator:
Will Wright, AIA Los Angeles. Will is the Director of Government and Public Affairs for the Los Angeles chapter of the American Institute of Architects (AIA|LA) and a 2011 AIA|LA Presidential Honoree. As the chief design advocate for Los Angeles, he has more than a decade of experience lobbying for a healthier and more beautiful city. At AIA|LA he is responsible for a variety of roles including connecting architects and designers with civic leaders to help shape public policy. In 2013, Will became a founding board member of the non-profit From Lot To Spot, which helps underserved communities transform vacant lots into parks. Will is also serves on the boards of the BOMA-LA PAC and the Los Angeles County Business Federation (BizFed) as a Vice Chair of the Land Use & Development Committee. Past leadership includes serving as a member of the statewide Climate Plan Strategic Planning Steering Committee. As a graduate from the Art Center College of Design, Will won an AIGA 365 award as the Editor of the literary arts publication, FishWrap V. 5.

Monday, June 10, 2013

Big City Forum @ LA Design Festival

Brian Roettinger "Dyptich for Saint Laurent"

Big City Forum hosts an interdisciplinary conversation for creative and progressive thinkers during LA Design Festival this year. 


“Independent Publishing and Print Culture in the Public Sphere,” will explore the impact of self initiated and independent publishing in the Los Angeles community.

Panelists include designer, musician, and educator Brian Roettinger, designer and curator Lauren Mackler, and designer, educator Willem Henri Lucas. The conversation will be moderated by LACMA’s Head of Publications Lisa Mark.

Design is intrinsically linked to visual language and through print and publications it dessiminates this language to a broad audience. What are the collisions and intersections between visual language, print culture, and the social sphere? How does print culture and independent publishing generate new platforms for these intersections to be recognized? “Independent Publishing and Print Culture in the Public Sphere” considers collective knowledge, layered histories, and the function of design and art in our community.

Big City Forum for LA Design Festival at The Standard, Downtown on June 19 from 7–9 p.m.


Creator of Hand Held Heart record label and Los Angeles resident BRIAN ROETTINGER never thought his simple phrasing of “Hand Held Heart” could encompass such an enormous round up of music, art and talent. Beginning in 1998, his project Hand Held Heart has grown exponentially since, as has Roettinger’s admirable passion. Supporting fringy death metal albums and makers of experimental noise, Roettinger is no novice to the music scene. A fan of chaotic punk rock himself, Roettinger was the bassist for This Machine Kills, a Southern California hardcore fixture that featured Steve Aoki on vocals. Roettinger now balances a life between work and play, teaching as the art director for the Southern California Institute of Architecture. His imagery is communicative and complicated, both disturbing and accurate, making him a perfect candidate to dissect the function of visual language on a diverse community.

Finding the fanciful in a city of fantasy and recreation, LAUREN MACKLER revels in opportunities for experimentation presented in Los Angeles. She created PUBLIC FICTION (the museum of) in 2010, a proud Los Angeles gallery-gone-publication that refuses to stop “reporting fearlessly on the factual, the fictitious and the imaginary.” Promoting art in all shapes, styles and forms, Mackler has created an exceptional space at 749 Avenue 50, incorporating the daily happenings of Los Angeles into art through exhibitions, shows, music, and more, following every event with a publication of Public Fiction’s journal. Her constant immersion in the avant garde arts world, coupled with her experience as a professor has prepared Mackler for Big City Forum’s discussion over the intersection of community and art culture in Los Angeles today.

WILLEM HENRI LUCAS is the final featured panelist for Big City Forum. His projects translate the connections between media, politics, and relationships in a very abstract way. His extensive amount of projects began in book design. He has posed himself with the artistic challenge of uniting humanity, culture and art. He began this endeavor designing book covers, and from there created installations, posters, and even a mixed tape in print reflecting YouTube video’s of sad love songs. Lucas concentrates on the subjects of war, love and humanity, trying to bring design “back to the streets” and back to community. His intentions as an artist align smoothly with the conversation topics Big City Forum looks forward to creating.